Chavin ruins (Part II) -
We decided to visit the museum in town first before going to the actual ruins site. This turned out to be a wise decision as we were able to learn from the guide the history and culture of these people, as well as the layout of the ruins, and as a result, we did not feel the need to hire a guide at the actual site.
Chavin de Huántar was largely a ceremonial site, administered by what we would call shamans, whose ceremonies were designed to intimidate and obtain the obedience of their subjects by means of hallucinogenic drug-induced trances that apparently allowed the priests and their subjects to experience out-of-body sensations that heightened their worship at the site. They also used the sounds of running water through the myriad of channels beneath the ruins and the blowing on conch shells to enrich the experience.
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| This beautiful and modern museum in the town was largely funded by the Japanese government. |
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| As we entered the ruins, we were met by this majestic animal. The officials said he was a cross between a llama and an alpaca. |
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| He seemed friendly so I ventured closer for a better photo. They said it is not common that the two species can be mixed and like a mule, it cannot produce offspring. |
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| As we climbed to the main plaza, I took this picture of Elder Dickson as he photographed the ruins, which are located at approximately the same elevation as Huaraz, 10,500 feet. The site sits between two small rivers that come down this canyon. The Chavin people channeled water from one of the rivers through an elaborate series of tunnels under the ruins to produce sounds for their ceremonies. The water was conducted through these tunnels and discharged into the other river. |
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| There was a light rain falling, so overcoats and umbrellas were necessary. |
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| This is a view of the main structure or temple. The wooden roofs are a modern addition by the archaeologists to protect the site from the heavy rains. When we first saw this area, it reminded us a lot of Tikal in Guatemala but is not nearly as large or as impressive. |
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| It is thought that this large circular platform with five indentations was used in their sacrificial ceremonies or possibly to grind the cocoa leaves and other drug producing plants into a powder. |
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| Looking back down at the main plaza from the elevated front of the main structure. |
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| One corner of the main temple. There are three levels inside. |
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| A closer look at the stone work. Note the long rectangular stones with the smaller ones used as fillers. We haven't seen this type of rock-work before, not in Mexico or Guatemala. |
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The only columns remaining at the entrance to the 3 story structure. The stones were mostly granite and brought from a quarry in the area. You cannot see it in this picture, but there are carvings all over these columns.
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| The Chavin built these openings in the outer wall of the temple to allow fresh air and light to enter the many rooms inside. The smaller opening is where a ceremonial stone head was inserted. |
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| The one original stone head in its original position in the outer wall. The small square openings to the right and left are where other stone heads were located. It is estimated that there were over 200 of these faces, each different, in the original temple walls. |
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| A closeup. This one seems to be smiling. Notice the enlarged nostrils. Since the priests and devotees used large amounts of hallucinogenic drugs as part of the temple ritual, almost all of the stone heads have enlarged nostrils, indicating that the drugs were inhaled. Repeated used of bone inhalers enlarged the nostrils. The original "potheads" of South America. |
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| My mother probably would have described this as "a couple of knot heads below the pot head". |
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| A last look at the circular plaza in front of the main temple. This is where the most important ceremonies took place. |
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| This photo, provided by the museum, shows some of the stone heads that have been recovered at the site. Others are located in museums in Huaraz and Lima. None of the heads recovered thus far are the same. Each face has a different expression on the face. (This is the museum director.) |
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| This was taken inside the temple showing one of the air/ventilation openings in the massive stone walls. All three levels of the structure had these ventilation openings. There were protruding stones in many of the passageways that were used to support torches to give light to the labyrinth of tunnels and rooms. It is believed that only the most important priests lived in these structures. |
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| The centerpiece of the temple and focal point of their ceremonies. This is called the "lanzón" or short lance. It is 15 feet high and made of solid granite. It is believed that sacrifices were made on the floor above and the blood allowed to run down the lanzón to impress (and frighten) the worshipers inside. |
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| This drawing gives a better idea of the shape of the lanzón. It appears to be a large sword or dagger stuck in the rock. |
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| As we departed the ruins, this poster greeted us with these words: | |
"The archaeological monument Chavin de Huantar thanks you for your visit.
Happy trip" (We wondered what kind of "trip" they meant.)
Milestones - We passed two more milestones in our mission this week. Monday, October 3, was our "hump day" (as in "over the hump"), meaning 1/2 of our mission is completed. It has really flown by and doesn't seem to us that we have been here that long.
At the archives, we passed the 170,000 images taken mark. That's a lot of family data that will be available online worldwide in a few years, once our images are processed and indexed (transcribed) into digital database format.